A frame within a frame

The most literal use of framing within a photo is including an actual frame. They can easily be found in architecture, like in the form of windows, doors and passages. Taking a picture ‘through’ something will add a sense of depth and lead the viewers gaze towards the focal point of the image.

The photograph above is a classic example of a frame within a frame. The doorway had a small amount of lighting and was quite dark in general. But there was this beautiful cityscape opening up with a bunch of tiny lights, which I could have just photographed as is. Instead I decided to include both the doorway and the cityscape, which makes for a much more interesting image.

This is another example of a frame within a frame. If you have been following our series on composition in photography, you will be able to recognize some other elements too. There is a transition from dark to light and some leading lines that all work together to lead the gaze towards the brightly colored windows.

Closing off the frame

Almost any kind of shape or opening can be used to frame your subject. Framing closes a part of a photograph off and the eyes are naturally drawn to the open part of the image. Look for openings in your surroundings and place your subject in them.

The image above was taken through a roll of colored paper. I noticed the cat kept pushing its head into it, so I quickly grabbed my camera and took the shot. You can see there is a lot of negative space left, which additionally puts all the attention on the cat.

Creative framing

Now that you’ve got the basics of framing down, you can start being a bit more creative in your framing. Don’t get stuck on just searching for different openings and passages. Look for other elements that could almost imitate a kind of frame.

In this case, the dress of the dancer is the frame. It almost took the shape of an ellipse and rounded her face and torso. Combined with this intense blue color, it pulled the attention to her facial expression really well.

Here is another example of creative framing. The Louvre palace and the glass pyramid are overlapping, but the geometric lines of the pyramid work as an unusual kind of frame. There isn’t a classical frame around the palace, but still the shapes and their positioning pull the gaze straight in.

Practice and learn how to use different types of framing so later on you can begin combining various techniques in a single photograph. You see there are no definitive rules in photography, but you can take some bits and pieces from every lesson and you photography will surely improve.

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Make the tonal contrast the focal point of an image

Contrast

Direct lighting that produces strong, sharp shadows emphasizes the contrast between them. Attention will be pulled to the parts of the image where there are large contrasts in tones and it will add drama to a photograph. These kinds of contrasts cannot be achieved by using only light, you have to incorporate shadows. Backlights typically work well when you are trying to shoot silhouettes and the tonal contrast is stronger.

A backlight works well if you are capturing silhouettes

Time of day

Depending on which time of day you are shooting in or which season, the shadows will be cast differently. It has to do with the angle of the sun and how it cast light on the earth. Midday sun is strongest, which results in sharp shadows and high tonal contrasts. Early morning light and sunset light fall at a sharper angle, so the shadows are not as strong, but they can reveal the beauty and texture of the surroundings.

Sunrays fall at different angles during different daytimes

Positioning

No matter what or where you are shooting, positioning has a lot to do with understanding photography lighting. Always be aware of where your light source is relative to your subject and where you and your camera are relative to them. Move around as much as you can for different effects.

The transition between light and shadow can be subtle

Natural and artificial lighting

Natural light is of course the most common and should be used whenever possible. All artificial studio lighting is trying to do is basically imitate natural light. But found lighting, like street lights or lights in a club, can produce effects that natural lighting cannot. Combining natural and artificial lighting in one image can be really fun and often leads to the most striking results.

Artificial lighting produces effects that natural lighting can’t

Whatever type of lighting you are using – remember to pay attention to the shadows too. Compose your photograph in a way that the play and contrast between light and shadow becomes the focal point of the image. You can do that with direct shadows that make beautiful patterns or you can focus on the more subtle transition between different tones.

Be aware of how shadow and light direct your composition

You shouldn’t shy away from shadows. The importance of shadows in photography is that they can be used in a way that enhances the light source and the subject. Layering shadow and light brings a sense of depth to an image, which cannot be achieved if everything in a photograph is equally lighted. Train yourself by photographing in different lighting conditions and soon you will be able to position the factors that produce a great photograph.

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Leading lines can be found everywhere – roads, buildings, rivers, shadows

Leading lines draw attention into the photograph. They can lead towards a subject, which is a great way to illustrate what the focal point of the image is; or they can lead the gaze through the photograph, into the distance. Usually, these lines begin at the bottom of the photograph, and continue to narrow towards the middle, guiding the gaze up and in. When the lines finally meet in the middle, they create a sense of depth and three-dimensionality, making the image more dynamic and intriguing for the viewer.

Lines can lead the gaze towards the subject

Finding leading lines

Finding and more importantly, recognizing leading lines should not be that hard. They’re everywhere! From roads, bridges, rivers and buildings, to shadows, patterns, fields and sun rays – the more important part is how you use them by framing your photo. Diagonal lines are by far the most dynamic. They appear to be unstable, which adds drama to a photograph.

Never cut the convergence point out of the frame

Angles

A sense of depth perception is created when using leading lines in a correct angle. One of the key tricks that you should remember is that if it is not working, try a different angle. Lowering yourself and your camera to the ground while shooting a road, for example, will transform the general feel of the image. The lines of the road will fall at a sharper angle as they would if you were taking a picture from your own height, resulting in a more dynamic perspective. Then try looking straight up and notice how the edges of buildings draw lines and fall into a perspective.

The feeling of distance causes the illusion of depth

Sense of depth

Combining lines with different angles will illustrate a feeling of distance and space, which causes the sense of depth. It engages the viewer by pulling in the gaze, almost creating a window into another world. Lines are your tool that you should learn to use to your advantage if you wish to achieve an illusion of depth. There is no other visual element that works in such a way. Never cut the convergence point out of the frame. This is your focal point to which the lines are leading to.

Change up your angles

Don’t forget to be diverse in your choices. Leading lines can be straight or curved, painting many different angles and subjects. Once you’ve started looking for them, you will see that they can really be found anywhere. No other visual tool will help you create such a sense of depth in your photography. Change up your angles and your vantage point, look for colors that will enhance your leading lines and be bold – you never know what is right around the corner.

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Frame your subject in such a way that it occupies a large amount of space in a photograph

Visual interest

One of the most common mistakes any new photographer makes is not getting close enough. When you start photographing, you may be feeling shy or uncertain. You don’t want to get in people’s faces, or you don’t want to crop your photo too much. You would rather have more space around the subject, because you can always crop it later, right? That may be true to some extent, but if you never learn how to crop as you are shooting, you can never learn and improve your images.

Include more details by moving in closer

Creating a center of visual interest can be achieved easily just by your moving in closer. If you use a zoom lens, go for it, otherwise – move your feet! Even when you think you’ve gotten close enough, take a step further. The most compelling images are created out of your comfort zone!

Don’t be afraid to cut out parts of your subject

Detail

By filling the frame with your subject, you give it full attention. You eliminate any details that might steal the spotlight, so there’s no doubt about what the focal point of the image is. Plus, the bigger the subject is the more details of said subject will be included. This composition rule can be used for shooting any subject; from people, animals and flowers, to architecture and landscape. Just make sure that your center of visual interest takes up enough space that it almost spills out of the frame. Don’t be afraid to cut parts of the subject out.

Eliminate details that might steal the spotlight off your subject

Background

Backgrounds are often cluttered with information that is not relevant to the subject and only divert attention. While you are filling your frame, keep your aperture number low, that way the background will stay blurred and only your subject will be in focus. Otherwise, shoot your subject on a plain background that will really enhance it.

If you’re not filling the frame completely, really think about what is surrounding your subject

Filling the frame in photography will probably not work for every single shot. But it can be used in cases when you have one specific subject that you want to stand out. Using this composition technique with intention will give your photography more diversity and dynamic. If you’re not filling the frame completely, really think about what is surrounding your subject and if it delivers the same emotion. But do not be shy if you are going to try out this composition rule – be bold and go for it!

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If the negative space is in such a vibrant color, don’t be afraid to keep it blank

Positive space

Positive space is simply the part of your photograph that is the subjects or the area of interest. That is the part you want highlighted, so the viewers eye is drawn to it quickly.

Don’t feel the need to include a lot of things in your photo

Negative space

The negative space in a photograph is all the space that surrounds your subject. Normally we tend not to think about the negative space so much, because we are so focused on the subject that it is not really a priority. It’s completely normal and it happens to all of us, it’s hard to pay your full attention to so many things at once. The trick is to use the negative space to your advantage. Having a substantial amount of negative space in a photograph will make the subject stand out in a particular way. The viewer will not have any distractions that pull away the attention from what the focus of the image is. Plus, the eyes will have the opportunity to rest a bit, which makes the whole of the photograph kind of serene and almost meditative.

Negative space will give the viewer a chance to rest their eyes

Ratio

Think about it in terms of ratio. Normally, the subject takes up the majority of the space in an image. Now try looking at the positive and negative space as surfaces. It’s better to be generous with the amount of empty space you leave around a subject, because you can always crop it later. The amount of negative space should somehow remain balanced with the positive space. You don’t have to include a bunch of things in one photo. Sometimes it is better to keep the composition clean and simple, but remember that it has to feel right to you.

If you are not sure, always leave a surplus of empty space around a subject

Shapes and sizes

As soon as you start thinking in terms of positive and negative space, shapes and sizes of things will start to grab your attention more. You will start paying more attention to details. The negative space in a photograph can be totally blank, especially if it is in a very vibrant color, like the blue sky. Maybe there is an interesting texture to the background, which will make your photograph more visually intriguing. Either way, be careful that the negative space doesn’t overpower the positive space.

Be careful that the negative space doesn’t overpower the positive space

As you can see by now, terms like positive and negative space are nothing to be nervous about. They are simple tools for photographic composition that can make a big impact not just on your photography, but on the way you observe the world around you.

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The shape of an object will become more important than the object itself

In photography, minimalism is still very much present, although it received critiques on lacking subject matter and a point of view. But there is a certain kind of openness in minimalism that actually gives an artist freedom to not be weighted by preconceived concepts and ideas. It welcomes all interpretation, without giving any clear cut answers.

A photograph does not have to be cluttered with details to be effective

Simplicity

Minimalism in photography is all about simplicity. Clear your shot of any unnecessary information or action. Minimalistic images are static in the sense that there is not a lot going on. So it is up to you to find a charm in the simplicity that will make the image visually interesting. Use strong colors and shapes to make a statement. A photograph does not have to be cluttered with details to be effective.

Play with cropping of your photographs for various effects

Get closer

While you are training your eye to recognize more simplistic shapes, one thing you can do is to get closer to whatever you are photographing. Frame your image in such a way that only a part of an object is included. That way the shape of said object will become more important than the object itself. You can also do this in post-processing. Sometimes cropping a photograph in a specific way will make a great difference.

Think about how the placement of lines and textures affects your composition

Composition

Because there is not a bunch of elements in a photograph, you have to pay more attention to the composition. How you arrange objects and shapes in an image is crucial. In the previous article we talked about positive and negative space in photography. That is a tool you can easily use to help you create compelling minimalist photographs.

Large blocks of color are commonly used in minimalist photography

Color

Color plays an important role in minimalist photography, because the form is so simple. Understanding and using color is a subject we largely covered in our series of articles on Color theory. Check them out to learn more about which combinations of colors should be used for a more effective image.

Lines and textures

Lines and textures can be used to grab attention even without a clear subject matter. Think about how the placement of lines affects the general composition. Combine horizontal, vertical and diagonal lines in one shot by zooming in on the boundaries of versatile textures. This play within the shot will be the point of attraction for the viewer.

Geometric shapes are often found in urban architecture

Keep noticing the world around you and you will see that any scene can be translated into a minimalistic photograph just by making a few tweaks in your perception and camera placement. Look for brightly colored surfaces and textures, individual objects with clean lines and geometric shapes. They can be found in nature, but they will probably be more common in urban architecture, so that is a good place to start!

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I have been living in Davao City, a city in the southern part of the island of Mindanao, for almost 22 years. During the shifting years of my adolescence, I stumbled across Photojournalism and loved it dearly. When you look around Davao City, it must be a story-telling haven. This is how I was able to develop my education of capturing tales. In between interesting people and their musings, one can pick up stories from this certainty: the country is thriving, almost crawling, for development. It seems that along with this developing country, I was developing my photography.

How does one develop their photography through their developing surroundings? Here are some of the things to keep in mind:

PAINFULLY ADJACENT. Boxes of milk. Physically reachable. Economically distant.

Open your Eyes and Observe

Since all have different perspectives, seeing and observing people and events may be different for everyone. For me, one trait a photographer must possess is sensitivity. In this way, he or she can see the real story. Context and composition come to play once the photographer sees the vision. In my case, street children always catch my attention. I observe how they talk, play, and interact. I also ask them how they are and what are their views about their present situation. I also do the same with street shop owners, vendors, and the like.

Don’t stage your story. Take candid shots.

Size Matters

People in your surroundings are oftentimes wary of being photographed. Always keep in mind that somehow, you are entering personal space. Personal space doesn’t just mean people’s physical spaces; it could also mean private property and personal business. Therefore, try your best to bring a small camera. A bridge camera would be great. A DSLR would also do, but I recommend using a prime lens. I suggest 50mm for close-ups or 35mm for wide-angles. When I photograph people or events in busy streets, wet markets, or even inside slums, I always make sure that my camera won’t seem intimidating.

Take advantage of signages to effectively convey your message. Pair it with actions as well.

Composition is key

After you’re done contextualizing your story, you must capture the thought in an understandable. The subject must be visible and direct in your photo, but it doesn’t necessarily mean it should be in the center. The rule of thirds, though heard many times, is a way to let the viewer examine your photo from all corners.  You can also use juxtaposition to emphasize differences. Basically, go with the angles that can best explain your story.

Exposure can depend from the storyteller. High-key or low-key exposure could imply a light mood or a sensitive mood.

Playing with light brings mood and contrast.

Stories don’t stop

Development for me means continuity. It is amusing how I can capture my developing country through my developing photography skills. If one happens to also live in a developing country, the stories absolutely don’t stop. Take advantage of it, and use it for the awareness among members of the community.  Finally, track your development by using SlickPic.
Go! Capture and create stories.

Subjects cooperate if you simply ask for their permission. In this case, this man willingly said yes when I asked politely.

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Look at how the left composition appears static and steady, while the right one is more dynamic and interesting

When arranging objects in a photograph, one of the first things you have to decide is what number of objects will be included in the shot. Having an odd number of objects in your photo is a simple way of making it more dynamic. It’s pretty simple actually. When you have an even number of objects in an image, like two, four or six, the brain tends to pair them up, hence separating the image into pieces and making it harder for the gaze to flow freely. But when you have an odd number of objects in a photograph, there’s always something left over, and the middle thing comes more into focus. In photography we call that the rule of odds.

If the number of the subject is odd, the brain will be less inclined on pairing them up into groups

The rule of odds particularly works with smaller numbers of objects, like three or five. Having more than five objects in an image will usually make the brain perceive them as a group; for that reason, it makes it harder to focus on one particular object and the gaze scatters in a way.

Three objects in one image create a triangular composition

Think about it like this: symmetry is pleasing and calming, but it also has a tendency to become boring. Having an odd number of objects creates more dynamic and flow. We like to break the rules, not everything has to be organized all the time, being playful makes life more fun and interesting.

The eye is immediately drawn to the central object, while the rest work as support

The number three seems to be the magic spot that works the best in the rule of odds. Three objects in one image will create a triangular composition, and the eye will always be drawn to the middle one, while the other two work as support.

Pay attention to how the gaze travels through the composition

Similarly, with five objects usually there is a particular focus on one central figure, while others work kind of like back up dancers. Nevertheless, they all work together as a whole complete composition.

More than five objects per image is often translated to the brain as a group, and different composition rules apply

It doesn’t matter what the thing you are photographing is. It can be people, trees, flowers, oranges; the same rule of odds applies. Remember, the number of objects in a photograph is not the only thing that matters, and definitely not the only thing that will make your image interesting. But it is certainly a good starting point which can be developed into more complex shapes and forms as you develop your photographic practice. If you want to further advance your knowledge on how to use composition and color, check out our take on color theory.

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Using rhythm to draw attention to certain elements

In visual arts, rhythm is a motion of elements that repeat themselves; or interchange, or build up. These elements can be in different relationships between each other, they can be the all same, similar or completely diverse. Rhythm is bound by space, i.e. the surface of the photo. It expresses itself in the composition by straight or curved lines and their directional course; in repetition or enhancements of colors, light, shade, bodies and spaces. The differences in the movement of the elements give the visual structure a certain visual appeal.

Rhythm can be found almost everywhere

In painting, rhythm is present in the composition of figures, characters, light and color. In sculpture it occurs by repetition and escalation of positive and negative volumes, changes of course and size. In architecture, rhythm is expressed by repeating and enhancing of architectural elements: columns, windows and spaces. So rhythm in the arts is present in many different forms. A simple rhythm is more clear and direct, while a complex rhythm consists of more elements, which is why it is more visually comprehensive. A simple rhythm occurs when the same elements are precisely repeated. That kind of rhythm has the characteristics of a beat, similar to what music sounds like.

A simple rhythm has a calming effect on the viewer

Intervals are visible and tangible parts, which are defined by distinctive characteristics of visual elements. In visual arts, intervals determine the distance and difference between volumes, lines, paths, lights and colors. In nature and in art, there are three basic types of relationships: the relationship between the same units, similar units and contrasting units.

Simple repetition of forms is something you can find in everyday life. Wherever you live, may it be in the city or in the countryside, patterns and repeating objects should not be that difficult to recognize if you only pay attention.

Repeating the same element multiple times can become boring

While a simple rhythm may be easy to find, it can also become boring quite quickly. Simple repetitions are often peaceful to look at, but introducing an element that breaks up that rhythm gives more dynamic to the photo and draws more attention to different parts of the image.  

Use rhythm with alternate elements to create a more visually appealing image

Because photography is essentially a two-dimensional representation of a three-dimensional space, using repetitive elements in a surface causes the occurrence or patterns. Repetition can be as simple or as complex as you’d like. When the elements of repetition are the same, the flow of the rhythm will correspond by remaining calm and steady. Introducing alternate elements will break up the flow, giving it a more dynamic structure.

Contrasting units create a more complex rhythm

Rhythm can actually be found in any composition to some degree. It does not have to be literally translated into patterns for it to keep the viewers attention. Most of the time, intentionally breaking the rhythm will give you an advantage as a photographer; because it will be clear you put time and thought into composing your image.

Becoming a great photographer means having knowledge about all the rules, but is also means you shouldn’t become a slave to them. By practicing and training your eye, soon you will find anything and everything can be translated into some kind of a rhythm. Ultimately it is your choices that make the image work or not.

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Food Styling Tips: Know When to Stop

When it comes to styling and composition in food photography, setting up your scene can be a key factor for success. Because of that, you should be very careful when it comes to adding elements – sometimes, less is more. When you decide what you primarily want to show (most often it’s the main dish), you should start building around it.

Cutlery, napkins, spices and various seeds can contribute to the final shot. But if you add too many elements around, the viewers’ eye will no longer know where to go. The image becomes messy and cluttered with so many details that the final image no longer looks so good.

Build the composition around your main element

Choose the Right Plates and Props

When you are choosing plates for food photography, you should think about the type of food you’re photographing, and according to that pair the food with dishes and utensils. There is a variety of different plates and dishes you could choose for your food scene – round, rectangular, plain white, patterned, colorful and decorative.

For the most of the time, it’s better for your plates to be plain white or black (well, monochrome in general) because the bright colors and drawings on the plate can distract the viewer’s focus from the food itself. Sometimes, decorative plates can be great to add a bit of detail to plain, simple foods, but be careful with that. Always remember that food is the main subject.

Plates shouldn’t distract the eye off the main subject – food

How Professionals Do It?

Top food photographers know that styling and composition in food photography are essential if you want to create your own, unique look. Just take a look at some of the famous food photographers and you’ll see how they managed to stand out from the mass – Nadine Greeff with her predominantly dark images and mystic light, or Francesco Tonelli, with his dynamic food shots that capture motion.

Try to tell a story with your food photography accessories

Make Sure Your Food is Fresh

Don’t forget to check if the food you’re photographing is still fresh. Your main goal should be to depict food that is delicious and appealing to the eye. Sometimes, shooting could take up to 2 or 3 hours. No matter how good the styling of the food is, if, for example, the tomato you photograph starts to shrink and lose its shape, your image becomes useless for the commercial use.

Try to photograph the food while it’s still fresh

In the end, photography is a creative way to express yourself and there aren’t really rules and rights and wrongs. But with the proper styling and composition in food photography, you’ll see how your images start to become better, more professional and clean, how the food you’re photographing starts to be more appealing and presentable.

If you want to follow your progress and share photos with family and friends, SlickPic is a great platform to upload all your food photography albums and have them in one place.

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Photographs are effectively two–dimensional flat objects, but by using leading lines, you can add a lot of perspective to images. It helps with photo composition and takes the viewer on a visual journey, allowing their minds to wander deeper.

The good news is that there are no real rules when it comes to lines in photography. Numerous pictures break the rules and the results are still spectacular. So play around with different perspectives and see how deliberately adding leading lines could improve your work.

Leading lines can be a great way to draw eyes to the subject in the photo. In this instance, lines from the opposite end of the picture allow the attention to be placed on the elephant. The trees also frame the subject.

Here are some reasons why leading lines can improve your photos:

Leads the eye to the subject

Instead of just placing a subject in your image, leading lines is a great tool to help the viewer focus on what you want. It is almost like using force, but in a nice way.  Using lines is also one of the easiest ways to incorporate the rule of thirds into your photos without trying, leading to better photo composition.

In this photo, the walkway was used to lead the eye into the distance towards the beautifully coloured sky. A normal photo of a sunset without the walkway would not have had the same effect. It also assists with the photo composition.

Creating depth or symmetry

Instead of just capturing that flat image with some vegetation in the foreground and the sea as background, why not use a bridge or walkway to lead viewers towards the sea? Not only does this allow for extra depth, but it is also a good way to add symmetry. Usually the rules of composition states that one should not centre objects in your photo, but in this case the rule can be broken. This method will work best if your lines start from the corners of a photo.

Are you curious to see what is at the end of this road? The curved pathway as well the wall running symmetrically with it is a way to use leading lines to create suspense.

Creates distance in photos

Using lines such as pathways and roads is a great method to lead ones eye into the distance. It creates depth that might not have been there previously and allow the image to lead the viewer’s eye through the image, or part of an image into the distance.

In this photo, the walkway was used to lead the eye into the distance towards the beautifully coloured sky. A normal photo of a sunset without the walkway would not have had the same effect. It also assists with the photo composition.

Using leading lines to create suspense

If your lines lead somewhere into the distance and curve around a corner, viewers might just spend more time looking at your work. This is because you create suspense in their minds as they wonder where the pathway or road is heading. What is around that corner?

Are you curious to see what is at the end of this road? The curved pathway as well the wall running symmetrically with it is a way to use leading lines to create suspense.

Using lines differently

Lines are not always so obvious, but can add extra depth to any photo, especially with objects of different distances from the camera. Instead of zooming in on a subject such as a boat on the water, take a step back. If you include an interesting foreground object, like floating birds floating, or people swimming towards the boat, it can still lead the viewer’s eye to a distant subject.

Look around you, there are lines everywhere, from pathways, shorelines, roads, rock formations, boardwalks, clouds, shadows, trees and even the horizon itself. Whether you use these lines vertically, horizontally or diagonally, it is a great way to compose the picture and transform it from ordinary to extraordinary

Leading lines can be used vertically, horizontally or diagonally.

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1. Plan ahead

Since landscape photography is a type of genre that requires timing. Always ensure to plan ahead. A stormy day is not friendly to taking nature photos so make sure that the weather will be in favor of you on the location that you want.

2. Use appropriate accessories

Camera positioning and sturdiness is an important trait in landscape photography. In order to do this, install your camera on a strong and steady tripod. Select a kind that can withstand strong winds and at the same time secures your camera against its weight. Light is the most important in nature photography so it is best to put in filters to accentuate the sun during golden hour. Filters also allow you to increase exposure time which will accentuate the beautiful landscapes by creating cloud streaks.

3. Be patient

Good nature photos generally comprise of the sun, and it is always a visual treat if landscape pictures have them or even just a hint of the sun’s rays. Nature’s daily phenomenon such as the blue hour, golden hour or blue hour will surely accentuate your landscape pictures and make it stunning. Wait for the perfect and let nature emphasize the composition

4. Perfect composition for landscape photography

In outdoor photography, there are quite a number of compositions that you can use. Colorful trees during autumn or snow capped mountains during winter would do the trick. But putting up a lot of subjects in landscape pictures creates confusion for the viewer thus making it unattractive. Ensure that your subjects are kept to a considerable amount to avoid confusion and increase appreciation on the photos and always use the rule of thirds. This is important to create beautiful landscapes and emphasize what is the most important in the composition.

5. Shoot in RAW, if you can

Shooting nature photography in jpeg mode is fair enough but it is not friendly for capturing beautiful landscapes. In shooting for landscape pictures, there will always be unwanted scenes such as misplaced glare during golden hour or uneven lighting during the blue hour. These scenes require editing and shooting it in RAW is the best option.

Shooting landscape photography is a challenging task but produces satisfying results if done properly. By following the photography tips, outdoor photography will become easy.

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